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narrative mindfucking

by JUDGE ROCK

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1.
Usurp me 07:09
The light has just been shed Your plot is fuckin’ dead Your stratagems fall at your side. Ninny ! You’re but the shade of a ghost dog Manipulate them little boys But don’t you ever mess with me, ‘Cause I’ve got memory. The real you was a fake You car, your job, your real estate Your only family was my bank. Silly ! You can’t usurp me, you poor short-sighted wannabe You can’t usurp me, I’ve mailed Interpol your I.D You thought you had a plan But Narcissus, you fade in my hand All will taste your void inside. You’re but the dream of a ghost world Intimidate them little girls, But don’t you ever mess with me, ‘Cause I’ve got memory. Say, You can’t usurp me, can’t clone a soul, plain mimicry You can’t usurp me, you’re just your own carbon copy (copy, copy, copy…) Say, You can’t usurp me, you cannot sing, your fraud what’s real You can’t usurp me, con artists die from treachery
2.
Man in the gutter held a placard « The End is Nigh » His backbone through his skull, his middle-finger pointing at the sky (Spoken) Guts spilled out on the avenue, kittens burning in a caddie Amateur live web cams report the nationwide snuff movie A bomb train, a skyjacked plane, the city hall slain The lonely desperate millions trying to run through the drain (Spoken) Tourists jump off Lady Liberty, yuppies fire at policemen Girl in ninja outfit claims she’s the new President Subway pirates control the town, from underground Cops and military forces are nowhere to be found (Spoken) Civilians in the suburbs have just declared the guerilla Man-eater children are building a human flesh Godzilla Chorus : Dance with the Vampire State As the skyscrapers crumble When the smokes elevate In a deafening mumble …The sun went black, the land got stark… (Dance, Dance, Dance) Dance with the Vampire State Slay the rich and the humble When ruins dominate And all horizons tumble …Your pet’s a shark, you kill for crack… Anthraces are the new neighbours : they live next pore Two schools have been decimated, zombies are crawling on your floor (Radio frequencies) (Dance, Dance, Dance), Chorus The End is Nigh. The End is Now.
3.
Code 18 04:24
À 18 pouces de l’écran Persistait une erreur In dead (indeed) Encoded Chorus : Code 18 One big step for a man Code 18 Désinstallez puis réinstallez le pilote Pour updater la journée…
4.
Love is just a nanosecond away Hell, how come I never catch up – come I never catch up with her ? My time-machine’s stuck on yesterday When every atom in my tissues cried out for a lover, for a lover Last time we made love was Antiquity, People watching as I died in an arena, her body surrounding me, Lost in her throes, her claws and jaws, her paws, The lioness’s share forwarding me to overdose Chorus : Speed of sound is still too still too still for you, you still look still so still so still, The way you move is ill unreal, the way you deal with me is killing me The speed of light is oh so slow is way too slow to show the way you blow away The way you wave and sway you save my day and say to me you’re killing me Oo-ooh, Fast-Forward girl Next… Chorus Next time we made love was 1984 The war had ceased, then broke out for a decade or more Behind the screen, an army of Big Brothers Officially scripted all our gestures First time we’ll meet is still to come She sent me back to the timeline where I was from I have to mend this machine of mine or I’ll never get to this girl on time. In time.
5.
And if I seem a fool to you, tell me ; I can’t admit the world the way you see. Our lives reach that period of decline, Where love will lose faith, submerged in bad wine. And what I want is love, all it does bring : The lone long waiting for the phone to ring. Then you hear the words that liven your spring, The only voice which is tuned to your string. But the line is eaten by birds of prey, See them fly above in the sky of grey. Sooner or later the line will be dust, And your wonderful string will meet the rust. I only had to lose my illusions, But the birds even shred my convictions. So I will commit my life to my God, Though it is not His feet near mine who trod. That was the ones of distress and of need, They still make me weep like a man could bleed. So please now let me tell you what I mean : God lives in a town where I’ve never been. Gabhaim molta Bríghde Ionmhain í le hÉirinn Ionmhain le gach tír í Molaimís go léir í Lóchrann geal na Laighneach Soilsiú feadh na tíre Ceann ar óghaibh Éireann Ceann na mban ar míne Tig an geimhreadh dian dubh Gearradh lena ghéire Ach ar lá 'le Bríghde Gar dúinn Earrach Éireann Gabhaim molta Bríghde Ionmhain í le hÉirinn Ionmhain le gach tír í Molaimís go léir í I’m an albatross unfolding my wing Over you, mermaid. My love keeps flowing As a meandering river in your entrails. The pilgrim that I am, on his raft, sails. Lead me to the frontispiece of your love, Where I will prostrate before you, my dove. And our hands will unite in the same glove, And my eyes on your face will always rove. If ever our God’s anger try to wrest My body from yours, my hand from your breast, If He wants me to adore only Him, I’ll take refuge in the ravine of your dream. And I’ll stay there for the rest of my days. Love’s the only thing you can’t overpraise. But my ladder to Heavens has nowhere to lean, Because God lives in a town where I’ve never been.
6.
I have a question for the both of you You’re half an answer by the look of it Ain’t it high time you took a rendezvous With yourselves ? One by one and bit by bit Is our desire a matter of genes ? And romantic love just an invention ? Relativity’s no longer Einstein’s But did God update His own creation ? I wanna scan you by the way you dance But I can’t tell if you are boys or girls The way you pretend to be high on trance Sure is a joke, but still I guess it works I have to vote for someone in the dark But as I sense the music failing me My unsound body and mind play the lark Of confusing what I know that I see : Roomfuls of dancing meat bound to decay Torture chambers revealed by stroboscopes The sound of pain, eardrums like an ashtray The Bombay queen is in tears, yet she copes Rumours of black masses and pop music Invisible fingers forcing the beat Indian she-male with masks of cosmetics Cannot escape the sad men in the pit Drug-induced mantras in the ladies’ room Chandala lovers sleeping on the floor A bride is gang-banged in front of her groom The androgyne queer is screaming for more Gamma-crossed dancers, elephant drivers Shiva’s the DJ, the club’s a ruin My eyes are filled with incense and colours I feel so scared for that Bollywood teen
7.
Westerner 09:25
Spoken : “Coyote Town, Texas, USA, 1879” They had come from across the state Five horsemen on their steeds Cavalcading at full speed Those five had run to meet their fate The redskin had painted his mask A wigwam on his eyes A Kiowa shaman was his guise The magic he kept in a sack Sung : Scalphunter was his name. Spoken : The first paleface wore red and blue Went by the moniker Of one Johnny Thunder He was the youngest of the crew Then came Nighthawk, the sombre man White bird on a dark shirt Hand on his gun, boots in the dirt He was the gravest of the clan Sung : Scalphunter was his friend. Chorus : Human pentacle with no silver star They attended the coming of UFOs The hard-boiled cowboy whose face is a scar (“Ke-Woh-No-Tay”) Aimed high at the clouds as the red moon rose The venue was set, the desert winds laughed (“Ke-Woh-No-Tay”) The skies tore open, earth shook from the deep When the stallions neighed at the alien craft (“Ke-Woh-No-Tay”) The goldmine collapsed, the whole world went beep Spoken : The two next fellows were Bat Lash Dandy womanizer A crack shot, gentleman loner And last, the rider with the gash : The bounty hunter Jonah Hex Whose guns shot two-by-two All five went off into the blue Abducted and taken to space “We shall lead you to our home world”, Said the silhouette on the strip Then the citadel-shaped starship Took off as a life form, unfurled… (Silence) Sung : He Who Is Less Than Human
8.
Le jazz a produit l'électricité suggestive. Soit, La circulation inutile des électrons libres d’un Jazz Band System à un autre, le sosie rythmique des systèmes de production de l’énergie électrique, la surtension des transformateurs saturés de particules dansantes jusqu’à l’éclatement des empires du son. *Les salles de danse se Creusent entre la première ville lumière et la première guerre mondiale. Le Rock’n'roll est le produit de l’électricité. Soit, L’enfant d’une pulsion animale à faire sonner l’électricité en court-circuitant son utilité, le survivant des hautes tensions grégaires toujours prêtes à éclater en lui, l’onde de choc pacificatrice de la guerre du rif. *Hiroshima dit rendez-vous, au festival. Dans l’optique suggestive, le Rock produit l’énergie photonique. Soit, La fusée éclairante dans la nuit qui s’étale au grand jour, la formation stellaire d’une voûte iconoclaste, la célérité c d’une myriade de clash ondulatoires. *Fade in, depuis l’éclair de dissuasion massive jusqu'à la photosphère mégapolitaine. Le produit de l’énergie photonique ? L’enfant de la pulsion humanoïde à faire photo-sonner la lumière en la déviant de son utilité. *Il prendra le trou de ver comme l’enfant de l’électricité prend la route.

credits

released June 20, 2012

Author : Aurélien Lemant
Composer and mixer : David Coquart
Mastering : Wolfgang Rüfenacht, Studio Protagoras

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